Costume Production Portfolio

Pressly Martinat

Costume Production | First Hand / Stitcher

I work in costume production with a focus on structural clarity, performer-centered construction, and garments built to withstand rehearsal and repertory conditions. My practice integrates historical research, draping, pattern development, and collaborative shop process across academic and regional production environments.

This portfolio highlights work in tailoring, period construction, character crafts, and production-focused fabrication. Projects emphasize construction logic, material selection, and functional detailing in service of performance requirements on stage and in rehearsal environments.

Highlights:

  • Period tailoring and costume reconstruction

  • Reinforced seams, concealed closures, and quick-change systems

  • Experience with flame-retardant treatments, stretch materials, and performance textiles

  • Repair case studies including emergency alterations and continuity restoration

Additional Materials

Supplementary documentation supporting portfolio and interview materials.

A woman with curly hair stands on a rocky platform in a dark setting, dressed in 20th-century-style clothing, gazing into the distance. The Trestle at Pope Lick Creek, Pace

The Trestle at Pope LIck Creek

Design, Draper, Dyer, Stitcher

Carol Belk Theatre, UNCA

Production Case Study (PDF)
Technology Serving Truth — The Trestle at Pope Lick Creek

Byhalia, Mississippi

Contemporary American Theatre Festival

Wardrobe Crew Lead

Wardrobe support for Byhalia, Mississippi was primarily actor-facing due to the character’s pregnancy portrayal. Garments incorporated a pregnancy understructure, requiring assisted dressing, fit adjustment, and ongoing wardrobe support to ensure performer comfort, safety, and continuity.

Ocean’s Between

Tulane Dance Department

Designer & Stitcher

One garment required front-facing repair after damage occurred during shop handling prior to performance. Supporting the repair process reinforced the importance of advanced hand-repair techniques, discretion, and continuity within a shared shop environment.

Cross-stitch embroidery of the word 'MOM' surrounded by colorful flowers on beige fabric.

Cross-Stitch Sampler — Mum in Mums
Early hand-stitch work emphasizing precision, repeatability, tension control, and disciplined process—foundational skills later applied to garment construction and repair.

Cross-stitch pattern of a haunted house and moon with clouds, in a circular frame.

Cross-Stitch Miniature — Night Landscape
Fine-count needlework emphasizing controlled shading, tonal blending, and detailed motif construction at small scale.

Further Materials

Professional Practice Reflection (UNCSA to UNC)